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his article tackles one of the most common themes in Mallarmé's poetry, a transparent or shimmering surface, pane of glass or window. From one of the earliest poems “Les Fenêtres” right up to more enigmatic poems like “Une dentelle s'abolit” or “Sainte”, we shall show how the word “window” hardly ever evokes actual glass but rather is used to suggest the very function of language itself, a surface woven out of sound and light.

Mallarmé, vers quelque fenêtre

Locatelli F
2016-01-01

Abstract

his article tackles one of the most common themes in Mallarmé's poetry, a transparent or shimmering surface, pane of glass or window. From one of the earliest poems “Les Fenêtres” right up to more enigmatic poems like “Une dentelle s'abolit” or “Sainte”, we shall show how the word “window” hardly ever evokes actual glass but rather is used to suggest the very function of language itself, a surface woven out of sound and light.
2016
9782406064176
Cet article traite d'un des thèmes les plus fréquents sous la plume de Stéphane Mallarmé : la surface transparente ou miroitante, la vitre ou la fenêtre selon les cas. De l'un des premiers poèmes, “Les Fenêtres”, jusqu'aux poèmes plus énigmatiques, tels qu'“Une dentelle s'abolit”, ou “Sainte”, nous verrons comment le mot “fenêtre” n'est presque jamais doté de sa valeur référentielle : au contraire, il suggère le fonctionnement même du langage, surface tissée d'effets lumineux et sonores.
Mallarmé
Sainte
fenêtre
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14087/6045
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