Disney’s Strange World (2022) explores the themes of “energy unconscious”, “intergenerational equity”, and “ecophobia”, focusing on the legacy parents leave to their children. The film centers on three generations of men, each representing different attitudes towards nature. Jaeger Clade, the grandfather, embodies colonialist values, viewing nature as a hostile force to be conquered. His son, Searcher, an intensive farmer, sees nature as a battleground between useful beings and pests, focusing on improving society through domestication. In contrast, Ethan, Searcher’s teenage son, adopts an ecocentric perspective. His worldview is expressed through the card game Primal Outpost, where he and his friends embrace symbiosis, interconnectedness, and the rejection of the man-nature divide. Ethan is the first to recognize that their ecosystem is a living organism reminiscent of the Gaia Hypothesis, advocating for a paradigm shift that the older generations fail to grasp. The article analyzes Strange World as a cli-fi allegory, urging humanity to choose between being parasitic destroyers or symbiotic contributors to ecological recovery. The film, while offering a simplified solution to climate change, presents a comic apocalyptic vision where youth-driven hope for change challenges older, ecophobic attitudes and offers a transformative, ecotopian message.
“You Two Are the Bad Guys!” Intergenerational Equity, Ecophobia, and Ecocentric Card Games in Disney’s Strange World (2022)
Grandi, Roberta
2025-01-01
Abstract
Disney’s Strange World (2022) explores the themes of “energy unconscious”, “intergenerational equity”, and “ecophobia”, focusing on the legacy parents leave to their children. The film centers on three generations of men, each representing different attitudes towards nature. Jaeger Clade, the grandfather, embodies colonialist values, viewing nature as a hostile force to be conquered. His son, Searcher, an intensive farmer, sees nature as a battleground between useful beings and pests, focusing on improving society through domestication. In contrast, Ethan, Searcher’s teenage son, adopts an ecocentric perspective. His worldview is expressed through the card game Primal Outpost, where he and his friends embrace symbiosis, interconnectedness, and the rejection of the man-nature divide. Ethan is the first to recognize that their ecosystem is a living organism reminiscent of the Gaia Hypothesis, advocating for a paradigm shift that the older generations fail to grasp. The article analyzes Strange World as a cli-fi allegory, urging humanity to choose between being parasitic destroyers or symbiotic contributors to ecological recovery. The film, while offering a simplified solution to climate change, presents a comic apocalyptic vision where youth-driven hope for change challenges older, ecophobic attitudes and offers a transformative, ecotopian message.File | Dimensione | Formato | |
---|---|---|---|
2025_Strange World_humanities-14-00076.pdf
accesso aperto
Tipologia:
Versione Editoriale (PDF)
Licenza:
Non specificato
Dimensione
318.93 kB
Formato
Adobe PDF
|
318.93 kB | Adobe PDF | Visualizza/Apri |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.