Walking, being both a physical and mental activity, is the best way to get to understand the spatial dimensions and the significance of any area. It allows, in fact, both the direct contact with the soil and the free circulation of thoughts. Many pre-romantic and romantic writers imbued with Rousseauism and influenced by a new “sensorial” approach to reality adopted walking outdoor both as a theme and a poetic practice. Hiking, thus, became an individual activity and a literary genre in itself. Through the analysis of texts by Senancour, Hugo and Gautier, I intend to show that writing about walking in mountain areas – the chosen setting for this paper – gave rise to very specific styles and genres, and that these were meant to convey the factual elements of walking, as well as the unique subjectivity of this experience.

Quand la marche se fait écriture : le voyageur-penseur au milieu des sommets (XVIIIe-XIXe siècles)

Locatelli F
2021-01-01

Abstract

Walking, being both a physical and mental activity, is the best way to get to understand the spatial dimensions and the significance of any area. It allows, in fact, both the direct contact with the soil and the free circulation of thoughts. Many pre-romantic and romantic writers imbued with Rousseauism and influenced by a new “sensorial” approach to reality adopted walking outdoor both as a theme and a poetic practice. Hiking, thus, became an individual activity and a literary genre in itself. Through the analysis of texts by Senancour, Hugo and Gautier, I intend to show that writing about walking in mountain areas – the chosen setting for this paper – gave rise to very specific styles and genres, and that these were meant to convey the factual elements of walking, as well as the unique subjectivity of this experience.
2021
À la fois physique par le contact direct avec le sol et mentale par la libération de la pensée qu’elle permet, l’activité de la marche est le meilleur moyen qui soit de connaître intimement un espace. Imprégnés de rousseauisme et influencés par une nouvelle approche sensorielle de la réalité, maints écrivains préromantiques et romantiques ont privilégié comme thème et pratique poétique l’activité piétonnière au sein de la nature ; la promenade s’autonomise en tant qu’expérience individuelle et genre littéraire. En analysant quelques extraits de récits de voyage des XVIIIe et XIXe siècles par Senancour, Hugo et Gautier, nous montrerons aussi comment l’écriture des randonnées au milieu du paysage montagneux, choisi comme décor spécifique de notre enquête, a suscité ses propres moyens stylistiques et génériques, destinés à restituer au lecteur la réalité factuelle, mais aussi la subjectivité et l’unicité du vécu.
marche
promenade
Littérature alpestre
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14087/6055
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