This article analyzes the Art Museum Guide for Children with Parents or Caregivers, a publication addressed to families or to children engaged in post-school activities. Our aim is to understand how these types of handbooks can help visitors to relate to culture in a wide perspective – how they develop an awareness of what the museum is and what it is for – and how these manage to take the child’s socioaffective needs into full account. By means of a discursive and “enunciative” approach, we investigate the dynamics of the relationship between children and paintings, children and adults, as well as of that between the child and the museum. Such topics, as illustrated through five recently published books, will be linked to the time-old (yet never fully resolved) question of the democratization of art. Our analysis will evidence a tendency towards an increase in the pleasant aspect of the visit, which is resembling more and more an edutainment, leaving aside the mere aspect of contemplation of beauty.

Les livrets pour enfants dans les musées d'art : vers une médiation culturelle et récréative

Rigat F
2017-01-01

Abstract

This article analyzes the Art Museum Guide for Children with Parents or Caregivers, a publication addressed to families or to children engaged in post-school activities. Our aim is to understand how these types of handbooks can help visitors to relate to culture in a wide perspective – how they develop an awareness of what the museum is and what it is for – and how these manage to take the child’s socioaffective needs into full account. By means of a discursive and “enunciative” approach, we investigate the dynamics of the relationship between children and paintings, children and adults, as well as of that between the child and the museum. Such topics, as illustrated through five recently published books, will be linked to the time-old (yet never fully resolved) question of the democratization of art. Our analysis will evidence a tendency towards an increase in the pleasant aspect of the visit, which is resembling more and more an edutainment, leaving aside the mere aspect of contemplation of beauty.
2017
Notre article aborde le rôle et la conception des livrets publiés par les musées d’art et destinés à toute la famille ou aux enfants hors temps scolaire, dans le cadre de loisirs donc. Notre objectif est d’explorer comment ces outils d’aide à la visite s’inscrivent dans une conception plus culturelle de l’éducation au et par le musée et comment ils prennent en compte l’enfant dans sa dimension socioaffective. Notre point de vue, discursif et énonciatif, nous permettra d’observer ce qui se construit entre les œuvres, l’enfant et l’adulte et, plus largement, entre l’enfant et le musée. Ces questions, illustrées par l’analyse de cinq livrets publiés récemment, seront mises en relation avec un questionnement bien ancien, mais loin d’être résolu, sur la démocratisation de l’art que ces documents suggèrent. À travers la diversité des partis pris, on repère néanmoins une évolution générale, dans la mesure où la plupart des livrets tendent à valoriser le plaisir de la visite, la relation avec l’accompagnateur ou le musée, le ludique comme autant de modalités pour mieux s’approprier l’exposition, pour faire de la visite un « loisir éducatif » (l’edutainment d’outre-Manche), un plaisir par conséquent lié à la culture, à l’expérience, à la sociabilité – pas seulement à la contemplation.
exposition, livret pour enfant, médiation, culture, loisir
exhibition, children’s booklet, mediation, culture, leisure
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14087/6931
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